Archives for category: dialogue

 Photo: Vincent Wijlhuizen

As  an independent dance dramaturge, text writer and international project developer I’m a forceful and committed ally in the realisation of artistic projects. Together with Vincent Wijlhuizen and Ieme Soes I’ve initiated What You See Festival, I’m artistic associate of Bitter Sweet Dance and advisor of the Dutch Performing Arts Fund. I reflect on the activities of the European Dancehouse Network and am part of Springback Magazine and am experienced in artistic work, dance dramaturgy, moderation, producing, budgeting, writing, project development and management. My interests are broad, but I have a soft spot for the representation of gender, age and cultural diversity, cultural structures that influence our thinking and tools that stretch the conventions of what is considered normal. I’m always interested in new collaborations so contact me via annette@vanzwoll.com.

 

The dancers are overwhelmed by disaster, but they don’t go down without a fight. Instead, they radically embrace every option and opportunity to influence their ending. Powerful and explosive, vulnerable and bounded, they draw us into their struggle, mortal fear, resignation and solidarity. During this bittersweet performance – alongside the inevitable crack of human lives – hope and comradeship emerge.

Liat Waysbort saw Ohad Naharin’s ‘The Sinking of the Titanic’ as a teenager, and was deeply moved by the oppressive power of the work. The production was inspired by the unshakeable orchestra that played on while the iconic ship went down. The impact of the strong images, set against Gavin Bryars’ all-embracing soundtrack evoked a whole array of emotions.

www.bittersweetdance.com

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A reflection on my experiences at Spring Forward Festival 2017

‘It don’t matter if you’re black or white’ was the ideological soundtrack of my youth. Somewhere along the line, while imitating Michael Jackson moves, we somehow forgot that what he was singing about was an ideal and not yet a reality. I, and many others, grew up with the illusion that we don’t see skin colour, and that it really doesn’t matter if you’re black or white. But it does matter and, by ignoring that, we are at risk over overlooking systematic iniquities in our society. As Anousha Nzume’s writes in her recently-published and very accessible book Hallo witte mensen (Hello white people), ‘if you claim you don’t see colour, you will also not see power structures created on the base of colour.’[1] In order to unravel power structures we have to talk about skin colour, including within the dance field. So here we go.

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Classical Beauty by LOCATION X / Taneli Törmä Photo: Jan Vesala

I was one of the lucky ten that were selected for the Springback Academy at Spring Forward Festival 2017. From 28th till 30th of April we saw 20 performances plus a film at the festival in Aarhus, Denmark. We ate, drank, discussed and danced together. Each one of us wrote three reviews and in doing, were mentored by professional dance critics. Below I’ve included my reviews, but you can find the work of my badass colleagues here.

Classical Beauty
by LOCATION X / Taneli Törmä  / April 28

A burly, beardy man stands centre stage, surrounded by a circle of light. He starts running in place, showing us the muscle tension in his bare legs while sweat seeps through his neat, lilac shirt. During the action his blissful smile reveals exaltation; he’s aiming for something to fulfil his longing.

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True Colors / Backbone Connects
‘Look at me. Admire and envy me. In True Colors, choreographer Alida Dors goes in search of the real person behind our online identities. Nothing is what it seems. Her characteristic, innovative hip-hop vocabulary, stripped of show and bravado, unpicks the stories behind social media images. We see what normally is hidden.’

video
trailer
making of

Premiere: 28th of January 2017, Theater Bellevue Amsterdam

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The diptych Please me Please of Bitter Sweet Dance is going to be shown on traveling festival De Parade in Amsterdam as well as in Utrecht.

Dates:
Utrecht: 3 – 6 August
Amterdam: 12 – 15 August

More info on: www.deparade.nl 

 

Although shown through the lens of male intimacy, the feeling Vassiliou and the performers tries to channel is something that is beyond sexuality or gender: the beatitude of total absorption in another being.’
Rachel Donnelly / blog Dublin Dance Festival

Alexis Vassiliou – a series of three
In 2013, choreographer Alexis Vassiliou started his research on the connection between physical sensations and the emotional en relational consequences of that. In every performance he took one clear physical action, turned that upside down and inside out, and used it to evoke a range of associations and emotions, for the performers as well as for spectators. The diffused intimacy and playfulness that arose between the male performers became tangible for the audience.

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photo: Marquis Palmer

On October 4, 2015, the second part of the duet Please me Please will premiere during the Dutch Dance Festival.

Liat Waysbort investigates our need to please with two older dancers, Amy Gale and Angela Linssen. In Please me Please – The Duet, two bodies full of history are confronted with the standards which the ‘older person’ is supposed to meet. The production questions our definition of beauty – precisely, explosively and tenderly – with the objective of stretching that definition. ‘Liat Waysbort previously had an impact with the strong and very individual Please me Please – The Solo, danced by the young Ivan Ugrin. In contrast to his youth, Waysbort now goes on an adventure with two self-assured women who each, in their own way, embody an aspect of the history of Dutch dance. That makes one curious.

choreography: Liat Waysbort
dance: Amy Gale, Angela Linssen
dramaturgy: Annette van Zwoll
producer: Bitter Sweet Dance
co producer: Dansmakers Amsterdam
production: Jannita Jáuregui
light and technique: Mark Thewessen

photo CaDance: Maarten Evenhuis

The coming two weeks you can enjoy exciting dance premieres at the festival for modern dance CaDance in the Hague. With  sparkling new dance by up-and-coming talents and leading choreographers in the Netherlands. This 17th edition takes place from 30 January until 15 February 2015.

Check the programme at www.cadance.nl and pay special attention to the performance texts that I wrote. And on Sunday, February 1, I will lead the after talk after the performance Rise Up of Guilherme Miotto.

Let’s Talk About Gender Baby!
Column Mikki Stelder / October 3 2014 / Dutch Dance Dialogues / Maastricht

“Do we still need to talk about gender in dance and performance?” This is a question I hear very often.
The still in this question implies a certain fatigue. It presumes that the topic has been exhausted. That we have witnessed significant changes over the decades both on and off-stage. Instead of asking the question “do we still need to talk about gender in dance?” I am inspired by a song from the artist Planningtorock that I send to my students before the first day of class “let’s talk about gender baby!”

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